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Summer 1998
The assignment was to present work which clearly demonstrated some capability of the view camera, or to present work for which a view camera would be the most unlikely tool to use, "You can't do that with a view camera."
These objectives were not always achieved, but here are some of the results. Produced during summer heat and reconstruction of the darkrooms.
Rachel Silvers;
Illinois barns in infrared film, with the addition of the small red car
(an MG), hand colored. 20x24" - 6 prints.
Rob
Milkowski; Extreme close ups of baby toys, shoes, and those plug-in
people. 16x20" - 10 prints.
Jo Machado; View
camera shots taken on moving L trains. 16x20" - 10 prints.
Jessica
Quist; Girls in modeled dresses in the woods. Actually set among bushes
and trees. 16x20" - 11 prints.
Angie
McDaniel; Hand held view camera with flash, taken at parties. 15x20" - 12
prints.
Xavier
Bonilla; Interior views of Union Station Building. Exposures to 4 minutes.
16x20" - 10 prints.
Alyce Henson;
Head shots of people at an opening. The people were set on a stool, lit
with two spots, and allowed to determine their own expression. 11x14" - 25
prints.
Tamara Bell;
Records of Maxwell Street market: street seller stands, tables. 16x20" -
10 prints.
Sarah
Mechling; Neolithic figures. Actually animal crackers taken at 1:4
magnification and enlarged to 16x20". 16x20" - 13 prints.
Tammy
Mercure; Double printed and altered negatives: Various unnatural
phenomenon, including a Madonna Apparition, and an Elvis image shedding
tears. Funny. 11x14" - 14 prints.
Kristen
Ortinau; Hand-held view camera self portraits with interesting
backgrounds. 16x20" - 10 prints.
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